Mitchell Museum are Scotland’s most exciting new band. They splash the more instantaneous moments of Flaming Lips, Modest Mouse and Animal Collective onto a technicolor canvas, and capped by a healthy dose of edge and hyperactivity.

The album’s title derives from the town on the Isle of Benebecula in Scotland where vocalist Cammy MacFarlane was shipped out to live as a kid by his parents, where he was treated for “losing his mind”. Although close friends, he and his brother Raindeer (drums and vocals) count those lost years as monumental in bonding their relationship, and the band has become an extension of that bond.

Single Warning Bells is a frenzied klaxon call of an introduction into MM. Take The Tongue Out and Tiger Heartbeat are sizzling sunshine pop songs, with their own distinct British twist of lyricism, which is present throughout the whole record. This debut album is the perfect summer soundtrack.

Released 12th July 2010

By Sophie Stratford

I Speak Because I Can is 20-year old Laura Marling’s coming of age album, its ten songs are imbued with a new richness, ripeness and sophistication. It is also a record marked by its quintessential Englishness. For all of its American instrumentation, and its shades of Joni Mitchell and Neil Young, these songs are no pale Americana interpretation; they are tales deeply rooted in England.

Producer Ethan Johns was an excellent choice as his use of reels, quiet and traditional methods of production are very suited to Laura Marling’s music. This new record reveals a new maturity and at points her voice sounds a little harder and more cultured.

Released 22nd March.

By Sophie Stratford

The Optimist finds New Young Pony Club at their poppiest with this melodic sexy record. The album is self produced and more importantly self funded and self released, it is the sound of a band taking full control of their present and future. Opening with incredibly catchy Lost A Girl, it provides an excellent anticipation for the rest of the album. It combines cutting disco vibes, dance ethic with pop ethic, all set in a dark, mysterious tone. Stone and The Architect Of Love are stripped back, post punk indebted break-up records that heighten to an explosion of synth. NYPC are definitely on top.

Released 15th March.

By Sophie Stratford

Cover image of The Cave by Mumford and Sons.

Mumford & Sons have begun this decade much as they ended the last, with word-of-mouth recommendations and a fearsome live reputation helping them to become one of the most significant British success stories in recent years.  The band has already received enormous radio airplay, even including a place on the Radio 1 A-list.

Single The Cave is a pounding tale with lyrics of hope and defiance, starting with gently picked acoustic chords and this gradually escalates into a huge wall of sound with a myriad of strange and traditional instruments. 2010 is definitely shaping up to be Mumford & Sons year.

Released 1^st March 2010.

By Sophie Stratford

Golden pop phenomenon Mika is releasing his brand new single Blame It On The Girls, taken from his acclaimed seconds album The Boy who Knew Too Much. The single is a massively happy slice of timeless, sing along pop bliss incorporating hand claps and floor stopping piano. Already a live hit Blame It On The Girls raised the roof at this year’s iTunes Festival. The single comes with fantastic mixes from mighty Wolfgang, Paul Woolford, Anorak & Starmith and an old-school video spectacular directed by acclaimed director Nez (who has shot promos for Lily Allen and Kid Cudi). This single is just another great track under Mika’s belt.

Released 15^th February 2010.

By Sophie Stratford