The Optimist finds New Young Pony Club at their poppiest with this melodic sexy record. The album is self produced and more importantly self funded and self released, it is the sound of a band taking full control of their present and future. Opening with incredibly catchy Lost A Girl, it provides an excellent anticipation for the rest of the album. It combines cutting disco vibes, dance ethic with pop ethic, all set in a dark, mysterious tone. Stone and The Architect Of Love are stripped back, post punk indebted break-up records that heighten to an explosion of synth. NYPC are definitely on top.
Mumford & Sons have begun this decade much as they ended the last, with word-of-mouth recommendations and a fearsome live reputation helping them to become one of the most significant British success stories in recent years. The band has already received enormous radio airplay, even including a place on the Radio 1 A-list.
Single The Cave is a pounding tale of hope and defiance, starting with gently picked acoustic and this gradually escalates into a huge wall of sound with a myriad of strange and traditional instruments. 2010 is definitely shaping up to be Mumford & Sons year.
I chanced upon Rapskallion this morning in one of Melbourne’s laneways and I was drawn in instantly. They gave a five person performance of mandolin, melodica, megaphone; double bass, violin and accordion times two as well as a whimsical array of percussive utensils and surfaces; the seemingly preferred of which being the face of Harry Connick Jr on nearby posters that littered their cave.
A modern take on the Parisian-Gypsy sound of the early 20th century, they sing tales of Brunswick (the bohemian enclave of Melbourne’s suburbs) with the improvised charm of a true street performance and enough character to fill a Dickens novel.
I made a purchase of their album ‘One Up For The Little Man’, an enthralling 11 track piece. You can visit their myspace here or get the album from iTunes.
One thing I can say for definite is that the busking in Melbourne is better. The lighting and acoustics of the London Underground don’t do anyone any justice.
The official music video to the first single of Jónsi’s upcoming debut solo album ‘Go’ has been released as shown below. A dark and glittery affair, the video is too fast paced for my liking but it defines Jónsi’s style perfectly.
‘Go’ is now set to be released on the 5th of April 2010. The North American tour dates have been posted here and the first show is to be in Vancouver; a day after the album is released worldwide.
No dates in other continents have yet been announced but it is still being called a world tour so I expect they will be in the near future.
Indie Music Finds was started in April 2009 as a place for people to find something new. It’s now being written by two people both living in the U.K. I try and keep it quite diverse so rummage around a bit and I’m sure you’ll find something you like to take away with you.
Contact
For music submissions and advertising enquiries, contact indiemusicfinds(at)googlemail.com
The Optimist finds New Young Pony Club at their poppiest with this melodic sexy record. The album is self produced and more importantly self funded and self released, it is the sound of a band taking full control of their present and future. Opening with incredibly catchy Lost A Girl, it provides an excellent anticipation for the rest of the album. It combines cutting disco vibes, dance ethic with pop ethic, all set in a dark, mysterious tone. Stone and The Architect Of Love are stripped back, post punk indebted break-up records that heighten to an explosion of synth. NYPC are definitely on top.
