I Speak Because I Can is 20-year old Laura Marling’s coming of age album, its ten songs are imbued with a new richness, ripeness and sophistication. It is also a record marked by its quintessential Englishness. For all of its American instrumentation, and its shades of Joni Mitchell and Neil Young, these songs are no pale Americana interpretation; they are tales deeply rooted in England.
Producer Ethan Johns was an excellent choice as his use of reels, quiet and traditional methods of production are very suited to Marling’s music. This new record reveals a new maturity and at points her voice sounds a little harder and more cultured.
Wolfmother are back and definitely on form. Single ‘White Feather’ is the band’s latest anthem and one of the highlights from latest album Cosmic Egg. With its bluesy lead licks, AC/DC-esque thump and stadium sized chorus, expect it to be sung with a force.
The song combines stylishly shimmying vocal hooks and screechy guitars; hitching and awkwardly-shaped riffs; with lead vocalist Andrew James Stockdale’s impossibly cool, indie-rock drawl.
The Optimist finds New Young Pony Club at their poppiest with this melodic sexy record. The album is self produced and more importantly self funded and self released, it is the sound of a band taking full control of their present and future. Opening with incredibly catchy Lost A Girl, it provides an excellent anticipation for the rest of the album. It combines cutting disco vibes, dance ethic with pop ethic, all set in a dark, mysterious tone. Stone and The Architect Of Love are stripped back, post punk indebted break-up records that heighten to an explosion of synth. NYPC are definitely on top.
Mumford & Sons have begun this decade much as they ended the last, with word-of-mouth recommendations and a fearsome live reputation helping them to become one of the most significant British success stories in recent years. The band has already received enormous radio airplay, even including a place on the Radio 1 A-list.
Single The Cave is a pounding tale of hope and defiance, starting with gently picked acoustic and this gradually escalates into a huge wall of sound with a myriad of strange and traditional instruments. 2010 is definitely shaping up to be Mumford & Sons year.
Indie Music Finds was started in April 2009 as a place for people to find something new. It’s now being written by two people both living in the U.K. I try and keep it quite diverse so rummage around a bit and I’m sure you’ll find something you like to take away with you.
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I Speak Because I Can is 20-year old Laura Marling’s coming of age album, its ten songs are imbued with a new richness, ripeness and sophistication. It is also a record marked by its quintessential Englishness. For all of its American instrumentation, and its shades of Joni Mitchell and Neil Young, these songs are no pale Americana interpretation; they are tales deeply rooted in England.
