The Optimist finds New Young Pony Club at their poppiest with this melodic sexy record. The album is self produced and more importantly self funded and self released, it is the sound of a band taking full control of their present and future. Opening with incredibly catchy Lost A Girl, it provides an excellent anticipation for the rest of the album. It combines cutting disco vibes, dance ethic with pop ethic, all set in a dark, mysterious tone. Stone and The Architect Of Love are stripped back, post punk indebted break-up records that heighten to an explosion of synth. NYPC are definitely on top.
Mumford & Sons have begun this decade much as they ended the last, with word-of-mouth recommendations and a fearsome live reputation helping them to become one of the most significant British success stories in recent years. The band has already received enormous radio airplay, even including a place on the Radio 1 A-list.
Single The Cave is a pounding tale of hope and defiance, starting with gently picked acoustic and this gradually escalates into a huge wall of sound with a myriad of strange and traditional instruments. 2010 is definitely shaping up to be Mumford & Sons year.
Race Horses first full length release Goodbye Falkenburg was out mid-January. Thirteen tracks long and with around a quarter of the songs in welsh, this album features a comfortable blend between a modern indie rock vibe and a distinctly 60s feel. There’s clear musical influence from The Beatles with double tracked vocal harmonies and analogue effects like phasing but in my mind Race Horses are more reminiscent of Syd Barrett era Pink Floyd.
Goodbye Falkenburg was recorded over the space of nine months and the band took an unorthodox approach to this debut. “We felt bored with all modern music,” says singer Meilyr Jones. “We wanted to make our fifth album first, if you know what I mean.”
Race Horses also brought out a 4 track concept EP ‘Man In My Mind’ in December 2009. Although it was an incredibly short release at just under 9 minutes in length, it’s depth made it clear that Race Horses are a band that have the means to last.
_1 / Technology is a Dead Bird is now available as an instrumental version with a minimum price of just $5. Mars Argo and Titanic Sinclair have given you explicit permission to use their songs in your YouTube videos. They only ask that you link to them in the sidebar of the video and it’s non-commercial use only. You can download the instrumental version of Technology is a Dead Bird here.
_2 / Technology is a Dead Bird is to be released on CD and vinyl formats. Mars Argo have said they are “on the way”.
_3 / Mars Argo now have a merchandise store with districtlines. There are two rather dashing T-Shirts on there for sale at the moment.
Indie Music Finds was started in April 2009 as a place for people to find something new. It’s now being written by two people both living in the U.K. I try and keep it quite diverse so rummage around a bit and I’m sure you’ll find something you like to take away with you.
Contact
For music submissions and advertising enquiries, contact indiemusicfinds(at)googlemail.com
The Optimist finds New Young Pony Club at their poppiest with this melodic sexy record. The album is self produced and more importantly self funded and self released, it is the sound of a band taking full control of their present and future. Opening with incredibly catchy Lost A Girl, it provides an excellent anticipation for the rest of the album. It combines cutting disco vibes, dance ethic with pop ethic, all set in a dark, mysterious tone. Stone and The Architect Of Love are stripped back, post punk indebted break-up records that heighten to an explosion of synth. NYPC are definitely on top.
