Ryan Paul & THE ARDENT are known for their personal and unpretentious songwriting, satiating performances, and acclaimed musician assembly. They are a unique mix of dusty-folk indie pop, brimming with raw spirit. Lead vocalist and guitarist Ryan Paul gathered expert Minneapolis musicians, including his own father on guitar and mandolin, and acclaimed drummer Steve Goold. The band was initially a one-time project, however the band emerged as a vehicle for Ryan Paul’s sincere songwriting – a genre bending brand of Americana rooted in Paul’s personal struggles and story.
One year since the release of their first record, the five some release Cute Souvenirs, a digital EP recorded in just one ten-hour session. The EP exhibits an impressive development in craftsmanship, as well as a much darker character that has acquired comparisons of such opposing artists; The Cure, The Smiths and Arcade Fire.
I Speak Because I Can is 20-year old Laura Marling’s coming of age album, its ten songs are imbued with a new richness, ripeness and sophistication. It is also a record marked by its quintessential Englishness. For all of its American instrumentation, and its shades of Joni Mitchell and Neil Young, these songs are no pale Americana interpretation; they are tales deeply rooted in England.
Producer Ethan Johns was an excellent choice as his use of reels, quiet and traditional methods of production are very suited to Laura Marling’s music. This new record reveals a new maturity and at points her voice sounds a little harder and more cultured.
Mumford & Sons have begun this decade much as they ended the last, with word-of-mouth recommendations and a fearsome live reputation helping them to become one of the most significant British success stories in recent years. The band has already received enormous radio airplay, even including a place on the Radio 1 A-list.
Single The Cave is a pounding tale with lyrics of hope and defiance, starting with gently picked acoustic chords and this gradually escalates into a huge wall of sound with a myriad of strange and traditional instruments. 2010 is definitely shaping up to be Mumford & Sons year.
I chanced upon Rapskallion this morning in one of Melbourne’s laneways and I was drawn in instantly. They gave a five person performance of mandolin, melodica, megaphone; double bass, violin and accordion times two as well as a whimsical array of percussive utensils and surfaces; the seemingly preferred of which being the face of Harry Connick Jr on nearby posters that littered their cave.
A modern take on the Parisian-Gypsy sound of the early 20th century, they sing tales of Brunswick (the bohemian enclave of Melbourne’s suburbs) with the improvised charm of a true street performance and enough character to fill a Dickens novel.
I made a purchase of their album ‘One Up For The Little Man’, an enthralling 11 track piece. You can visit their myspace here or get the album from iTunes.
One thing I can say for definite is that the busking in Melbourne is better. The lighting and acoustics of the London Underground don’t do anyone any justice.
Indie Music Finds was started in April 2009 as a place for people to find something new. I try and keep it quite diverse so rummage around a bit and I’m sure you’ll find something you like to take away with you.
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